How to Look at Great Art-Works in 10-12

How to Look at and Understand Great Art - Works Discussed in Lectures 10-12

Lecture 10. Drawing - Dry, Liquid, and Modern Media (10-12-2018)
⦁ Delacroix, Eugene. Arabian Woman Seated on the Ground and Study of Buttons. c.1833. Musee du Louvre, Paris.
⦁ Delacroix, Eugene. Women of Algiers in their Apartment. 1834. Musee du Louvre, Paris.
⦁ Hodler, Ferdinand. The Chosen One. 1893-1894. Kunstmuseum, Bern, Germany.
⦁ Hodler, Ferdinand. Goddesses Announcing the Return of Spring. Swiss Institute for Art Research, Zurich.
⦁ Ingres, Jean-Auguste-Dominique. Study for the Martyrdom of Symphorien. c. 1830. Musee Bonnat, Bayonne, France.
⦁ Beckmann, Max. Drawing (10 of 18). c. 1923. The Museum of Modern Art, New York.
⦁ Corot, Jean-Baptiste-Camille. Wooded Valley. Palais de Beaux Arts, Lille, France.
⦁ Corot, Jean-Baptiste-Camille. Woodland Edge. Musee du Louvre, Paris.
⦁ Corot, Jean-Baptiste-Camille. Willows and White Poplars (Saules et peupliers blancs). 1865-1972. Brooklyn Museum, Brooklyn, NY.
⦁ Corot, Jean-Baptiste-Camille. Forest of Fontainebleau. 1834. Chester Dale Collection, National Gallery of Art, Washington, DC.
⦁ Leonardo da Vinci. Isabella d'Este. 1499-1500. Musee du Louvre, Paris.
⦁ Toorop, Jan. Song of the Times. 1893. Rijksmuseum Kroeller-Mueller, Otterlo, The Netherlands.
⦁ Hunt, William Holman. The Father's Leave-Taking. 1878. Wadsworth Atheneum, Hartford, CT.
⦁ Degas, Edgar. At the Theater, Woman with a Fan. 1880. Private Collection.
⦁ Degas, Edgar. Woman Drying Herself after a Bath. c.1896. Private Collection.
⦁ Khnopff, Fernand. Who Shall Deliver Me? 1898. Private Collection.
⦁ Beardsley, Aubrey. The Peacock Skirt. 1894. Harvard Art Museum/Fogg Museum, Cambridge, MA.
⦁ Goya, Francisco de. Self-Portrait. c.1798-1800. The Metropolitan Museum of Art, New York.

Lecture 11. Printmaking - Relief and Intaglio (10-12-2018)
⦁ Durer, Albrecht. Knight, Death, and the Devil. 1513. The Metropolitan Museum of Art, New York.
⦁ Nolde, Emil. The Prophet. 1912. The Museum of Modern Art, New York.
⦁ Anonymous German artist. The Creed. c. 1450-1470. The Metropolitan Museum of Art, New York.
⦁ Dore, Gustave. Busy Street on London Bridge, from Blanchard, Jerrold, and Gustave Dore. London, A Pilgrimage. 1872. Museum of London.
⦁ Picasso, Pablo. Fauns and Goat. 1959. National Gallery of Victoria, Melbourne.
⦁ Rembrandt van Rijn. The Good Samaritan. 1663. Rijksmuseum, Amsterdam.
⦁ Ensor, James. Napoleon's Farewell. 1897. The Art Institute of Chicago, Chicago, IL.
⦁ Picasso, Pablo. Portrait of Fernande Olivier. 1906. Worcester Art Museum, Massachusetts.
⦁ Corbutt, Charles. The Honorable Sir William Howe. 1777. Print Collection, The New York Public Library, NY.

Lecture 12. Modern Printmaking - Planographic (10-12-2018)
⦁ Chapront, Henry. Charles Baudelaire 1 (25/28). 1922.
⦁ Daumier, Honore. Caricature from Les Gens de Justice. 1846. Musee d'Orsay, Paris.
⦁ Gericault, Theodore. Shoeing a Horse. c.1820-1824. Oklahoma City Museum of Art.
⦁ Riley, Bridget. Coloured Greys lll. 1972. Tate Gallery, London.
⦁ Warhol, Andy. Marilyn. 1967. Kupferstichkabinett, Staatliche Museen, Berlin.
⦁ Degas, Edgar. On the Omnibus. 1877-1878. Musee National, Paris.
⦁ Prendergast, Maurice. The Red Cape. 1891-1894. Terra Foundation for American Art, Chicago, IL.
⦁ Whistler, James McNeill. Nocturne: The Thames at Battersea. 1878. The Metropolitan Museum of Art, New York.