Wells

How to Look at Great Art -Works in 1-36

How to Look at and Understand Great Art - Works Discussed in Lectures 1-36

Lecture 1. The Importance of First Impressions (10-09-2018):

⦁ Constable,John. The Hay Wain. 1821. The National Gallery, London.
⦁ Donatello. Equestrian statue of Gattamelata. c. 1417. Museo Nazionale del Bargello, Florence.
⦁ Rodin, Auguste. Burghers of Calais. 1884-1886. Musee Rodin, Paris.
⦁ Graves, Nancy. Extend-Expand. 1983. The Museum of Modern Art, New York.
⦁ Christo and Jeanne-Claude. The Gates, Project for Central Park, New York City. 2005.
⦁ Cordier, Charles-Henri. Sudanese in Algerian dress. 1856-1857. Musee du Louvre, Paris.
⦁ Michelangelo Buonarroti. Pieta. 1498-1499. St. Peter's Basilica, Rome.
⦁ Picasso, Pablo. The Dove of Peace. c.1951. Musee de l'Art Moderne de la Ville de Paris.
⦁ Marc, Franz. Horse in Landscape. 1910. Museum Folkwang, Essen, Germany.

Lecture 2. Where Am I? Point of View and Focal Point (10-09-2018)

⦁ Rembrandt van Rijin. Holy Family with a Painted Frame and Drapery. 1646. Gemaldegalerie Alte Meister, Kassel, Germany.
⦁ Robinson, Theodore. Bird's Eye View of Giverny. 1889. The Metropolitan Museum of Art, New York.
⦁ Raphael (Raffaello Santi). Sistine Madonna. 1513. Gemaldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden, Germany.
⦁ von Honthorst, Gerrit. Adoration of the Shepherds. 1622. Wallraf-Richartz Museum, Cologne, Germany.
⦁ Titian (Tiziano Vecellio). Madonna of the Pesaro Family. 1519-1526. Galleria Palatina, Palazzo Pitti, Florence.
⦁ Nolde, Emil. Pentecost. 1909. Nationalgalerie, Staatliche Museen zu Berlin.
⦁ Raphael (Raffaello Santi). Madonna of the Meadow. 1505. Kunsthistorisches Museum, Vienna.
⦁ Breughel, Pieter the Elder. Battle of Carnival and Lent. 1559. Kunsthistorisches Museum, Vienna.
⦁ Pollock, Jackson. Convergence. 1952. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Rothko, Mark. No. 10. 1952. Collection of Kate Rothko Prizel and Christopher Rothko.
⦁ Ghiberti, Lorenzo. East Doors of Florence Cathedral (Gates of Paradise). 1425-1452. Baptistery of San Giovanni, Florence.
⦁ Donatello. David. 1425-1430. Museo Nazionale del Bargello, Florence.
⦁ Hesse, Eva. Repetition Nineteen, III. 1968. The Museum of Modern Art, New York.
⦁ Tinguely, Jean. Meta-Mechanical Automobile Sculpture. 1954. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Calder, Alexander. La Spirale. 1958. Palais de L'Unesco, Paris.
⦁ Holt, Nancy. Sun Tunnels. 1973-1976. Great Basin Desert, Utah.
⦁ Manet, Edouard. Boating. 1874. The Metropolitan Museum of Art, New York.
⦁ Renoir, Pierre-Auguste. Woman in a boat. 1877. Private Collection.

Lecture 3. Color - Description, Symbol and More (10-09-2018)

⦁ van Gogh, Vincent. The Night Cafe. 1888. Yale University Art Gallery, New Haven, CT.
⦁ Raphael (Raffaello Santi). The School of Athens. c. 1510-1511. Stanza della Segnatura, Stanza di Raffaello, Vatican.
⦁ Monet, Claude. Seaside Terrace at Le Havre. 1867. The Museum of Modern Art, New York.
⦁ Seurat, George. Sunday Afternoon on the Grande Jatte. 1884-1886. The Art Institute of Chicago, IL
⦁ Seurat, George. The Circus. 1891. Musee d'Orsay, Paris.
⦁ van Gogh, Vincent. Interior of a Restaurant. 1887. Rijksmuseum Kroeller-Mueller, Otterlo, The Netherlands.
⦁ Kobke, Christen. Shoreline at Emiliekilde. c. 1836. Musee du Louvre, Paris.
⦁ Gaugin, Paul. Vision after the Sermon. 1888. National Gallery of Scotland, Edinburgh, UK.
⦁ van Gogh, Vincent. Self-Portrait with Bandaged Ear and Pipe. 1889. Stavros S. Niarchos Collection, Athens.
⦁ Albers, Joseph. Homage to the Square, Yellow Echo. 1957. Wadsworth Atheneum Museum of Art, Hartford, CT.

Lecture 4. Line - Description and Expression (08-10-2018)

⦁ Picasso, Pablo. Demoiselles d'Avignon. 1907. The Museum of Modern Art, New York.
⦁ Picasso, Pablo. Child Holding a Dove. 1901. Private Collection.
⦁ Monet, Claude. Seaside Terrace at Le Havre. 1867. The Museum of Modern Art, New York.
⦁ Durer, Albrecht. The Small Passion, The Last Supper. 1511. The Cleveland Museum of Art, Cleveland, OH.
⦁ Durer, Albrecht. The Fall of Man. 1504. The Metropolitan Museum of Art, New York.
⦁ van Gogh, Vincent. Starry Night. 1889. The Museum of Modern Art, New York.
⦁ Rubens, Peter Paul. Fall of the Rebel Angels. 1618-1620. Alte Pinakothek, Munich, Germany.
⦁ Titian (Tiziano Vecellio). Assumption of the Virgin. 1516-1518. Santa Maria Gloriosa dei Frari, Venice, Italy.
⦁ Seurat, George. The Circus. 1891. Musee d'Orsay, Paris.
⦁ Kline, Franz. New York, N.Y. 1953. Albright-Knox Gallery, Buffalo, NY.
⦁ Schmidt-Rottluff, Karl. Vorfruhling - Early Spring. 1911. Museum am Ostwall, Dortmund, Germany.
⦁ Kirchner, Ernst Ludwig. Five Women on the Street. 1913. Museum Ludwig, Cologne, Germany.
⦁ Picasso, Pablo. Guitar and Glass on a Table. 1913. Musee Picasso, Paris.

Lecture 5. Space, Shape, Shade and Shadow (08-10-2018)

⦁ Raphael (Raffaello Santi). Betrothal of the Virgin. 1504. Pinacoteca di Brera, Milan, Italy.
⦁ Kandinsky, Vasily. In the Circle. 1911. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Royal Silhouette Vase. 2000, replica by Science Museum of the UK, of 1977 original by Kaiser Porcelain.
⦁ Matisse, Henri. The Dance I. 1909. The Museum of Modern Art, New York.
⦁ Newman, Barnett. Vir Heroicus Sublimis. 1950-1951. The Museum of Modern Art, New York.
⦁ Caravaggio, Michelangelo Merisi da. The Calling of Saint Matthew. 1599-1602. Contarelli Chapel, San Luigi dei Francesi, Rome.
⦁ Friedrich, Caspar David. Woman at Setting Sun/Morning Light. 1818. Museum Folkwang, Essen, Germany.
⦁ Kline, Franz. Untitled. 1959. Smithsonian American Art Museum.
⦁ Bernini, Gian Lorenzo. Apollo and Daphne. 1622-1625. Galleria Borghese, Rome.
⦁ Brancusi, Constantin. Bird in Space (Yellow Bird). 1923-1924. Philadelphia Museum of Art, PA.
⦁ Stella, Frank. Agbatana II. 1968. Musee d'Art et d'Industrie, Saint-Etienne, France.
⦁ Escobar, Marisol. The Last Supper. 1982. The Metropolitan Museum of Art, New York.
⦁ Michelangelo, Buonarroti. Creation of Adam. 1508-1512. Sistine Chapel, Vatican.
⦁ Picasso, Pablo. Girl Before a Mirror. 1932. The Museum of Modern Art, New York.

Lecture 6. Seeing the Big Picture - Composition (08-10-2018)

⦁ Raphael (Raffaello Santi). The School of Athens. 1510-1511. Stanza della Segnatura, Stanza di Raffaello, Vatican.
⦁ Calder, Alexander. La Spirale. 1958. Palais de L'Unesco, Paris.
⦁ Cimabue (Bencivieni de Pepo). Madonna Enthroned (The Madonna and Child in Majesty Surrounded by Angels). c. 1280. Musee du Louvre, Paris.
⦁ Turner, Joseph Mallord William (J.M.W.). Snow Storm: Hannibal and his Army Crossing the Alps. 1812. Tate Gallery, London.
⦁ Poussin, Nicolas. Death of Germanicus. 1627. Minneapolis Institute of Arts, MN.
⦁ Friedrich, Caspar David. Monk by the Sea. c.1809. Alte Nationalgalerie, Berlin.
⦁ Claudel, Camille. The Waltz. c. 1895. Musee Rodin, Paris.
⦁ Maillol, Aristide. The Mediterranean. 1905. Jardin des Tuileries, Paris.
⦁ Hosmer, Harriet. Beatrice Cenci. 1857. Art Gallery of New South Wales, Sydney.
⦁ Vermeer, Johannes. Artist in the Studio. 1665-1666. Kunsthistorisches Museum, Vienna.
⦁ Van der Goes, Hugo. Portinari Altarpiece. 1476-1479. Galleria degli Uffizi, Florence, Italy.
⦁ Parmigianino (Girolamo Francesco Maria Mazzola). Madonna and Child with Angels (Madonna of the Long Neck). 1534-1540. Galleria degli Uffizi, Florence, Italy.

Lecture 7. The Illusion - Getting the Right Perspective (12-11-2018)

⦁ Leonardo da Vinci. Last Supper. c,1495-1498. Santa Maria delle Grazie, Refectory, Milan.
⦁ Caillebotte, Gustave. Paris Street on a Rainy Day. 1877. The Art Institute of Chicago, Chicago.
⦁ Superman
⦁ Mantegna, Andrea. Dead Christ. 1501. Pinacoteca di Brera, Milan.
⦁ Church, Frederic Edwin. The Heart of the Andes. 1859. The Metropolitan Museum of Art, New York.
⦁ Limbourg Brothers. Page with "February" from Tres Riches Heures. 1412-1416. Musee Conde, Chantilly, France.
⦁ Masaccio (Tommaso di Giovanni di Smone Cassai). The Tribute Money. c.1425. Brancacci Chapel, Santa Maria del Carmine, Florence.
⦁ Hogarth, William. Satire on False Perspective, frontispiece to Dr. Brook Taylor's Method of Perspective. 1754.
⦁ Cezanne, Paul. L'Estaque. 1878-1879. Musee d'Orsay, Paris.
⦁ van Gogh, Vincent. A Road in Auvers after the Rain. 1890. The Pushkin Museum of Fine Art, Moscow.
⦁ Remps, Domenico. Cabinet of Curiosities. 1690s. Museo dell'Opificio delle Pietre Dure, Florence.
⦁ Peale, Charles Willson. Staircase Group (Portrait of Raphaelle Peale and Titian Ramsay Peale). 1795. Philadelphia Museum of Art.
⦁ Wenner, Kurt. 3-D Street Art Sponsored by Buick. 2009. Union Station, Washington, DC.
⦁ Holbein, Hans the Younger. The Ambassadors. 1533. The National Gallery, London.
⦁ Raphael (Raffaello Santi). The School of Athens. c.1510-1511. Stanza della Segnatura, Stanze di Raffaello, Vatican.

Lecture 8. Art that Moves - Time and Motion (12-11-2018)

⦁ Boccioni, Umberto. The City Rises. 1910. The Museum of Modern Art, New York.
⦁ Muybridge, Eadweard. Muybridge's Horse. 1881. The National Archives, London.
⦁ Balla, Giacomo. Dynamism of a Dog on a Leash. 1912. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Masaccio (Tommaso di Giovanni di Smone Cassai). The Tribute Money. c.1425. Brancacci Chapel, Santa Maria del Carmine, Florence.
⦁ Pozzo, Andrea. Allegory of the Missionary Work of the Jesuits. 1691-1694. Church of San Ignazio, Rome.
⦁ Rude, Francois. La Marseillaise, from Arc de Triomphe. 1833-1836. Paris.
⦁ de Fabriano, Gentile. Adoration of the Magi. 1423. Galleria degli Uffizi, Florence.
⦁ Cimabue (Bencivieni di Pepo). Madonna Enthroned (The Madonna and Child in Majesty Surrounded by Angels). c. 1280. Musee du Louvre, Paris.
⦁ Daumier, Honore. The Fugitives. c.1848. Musee d'Orsay, Paris.
⦁ Burne-Jones, Sir Edward Coley. The Hours. 1882. Sheffield Art Gallery, Sheffield.
⦁ Degas, Edgar. The Rehearsal. c. 1877. Burrell Collection, Glasgow.
⦁ Degas, Edgar. The Tub. Modeled 1888-1889, cast 1920. Havemeyer Collection, The Metropolitan Museum of Art, New York.
⦁ Riley, Bridget. Coloured Greys III. 1972. Tate Gallery, London.
⦁ Agam, Yaacov. Free Standing Painting. 1971. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Tinguely, Jean. Meta-Mechanical Automobile Sculpture. 1954. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Kaprow, Allan. Happening. 1964. Second Avant Garde Festival, Judson Hall, New York City.
⦁ Bellini, Gentile. Procession of the True Cross. 1496. Gallerie dell'Accademia, Venice.
⦁ Schoffer, Nicolas. Chronos 13. 1974. Private collection.

Lecture 9. Feeling with Our Eyes - Texture and Light (12-11-2018)

⦁ Rodin, Auguste. The Thinker. 1880-1882. Musee Rodin, Paris.
⦁ Steichen, Edward. Balzac, Towards the Light, Midnight. 1908. The Metropolitan Museum of Art, New York.
⦁ Steichen, Edward. Rodin and the Thinker. 1906. Musee d'Orsay, Paris.
⦁ Kensett, John Frederick. Lake George. 1869. The Metropolitan Museum of Art, New York.
⦁ Monet, Claude. Haystacks, End of Summer. 1891. Musee d'Orsay, Paris.
⦁ Donatello. David. 1425-1430. Museo Nazionale del Bargello, Florence.
⦁ Bernini, Gian Lorenzo. Medusa. 1636. Musei Capitolini, Rome.
⦁ Oppenheim, Meret. Fur-Covered Cup, Saucer, and Spoon. 1936. The Museum of Modern Art, New York.
⦁ Nevelson, Louise. Black Wall. 1959. Tate Gallery, London.
⦁ Brancusi, Constantin. Sculpture for the Blind I. c.1920. Philadelphia Museum of Art, PA.
⦁ Calder, Alexander. Sumac V. 1953. Maeght Family, Paris.
⦁ Flavin, Dan. Untitled (to Donna) 6. 1971. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Ingres, Jean-Auguste-Dominique. La Grande Odalisque. 1814. Musee du Louvre, Paris.
⦁ Fish, Janet. After Leslie Left. 1983-1984. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Renoir, Pierre-Auguste. The Great Boulevards. 1875. Philadelphia Museum of Art, PA.
⦁ De La Tour, Georges. Saint Joseph in the Carpentry Shop. 1645. Musee du Louvre, Paris.
⦁ Caravaggio, Michelangelo Merisi da. Conversion of Saint Paul. 1600-1601. Cerasi Chapel, Santa Maria del Popolo, Rome.
⦁ Giacometti, Alberto. Dog. 1957. The Museum of Modern Art, New York.
⦁ Hepworth, Barbara. Vertical Forms (St. Ives). 1968, cast 1969. Tate Gallery, London.
⦁ Titian (Tiziano Vecellio). La Bella. 1536. Galleria Palatina, Palazzo Pitti, Florence.

Lecture 10. Drawing - Dry, Liquid, and Modern Media (10-12-2018)

⦁ Delacroix, Eugene. Arabian Woman Seated on the Ground and Study of Buttons. c.1833. Musee du Louvre, Paris.
⦁ Delacroix, Eugene. Women of Algiers in their Apartment. 1834. Musee du Louvre, Paris.
⦁ Hodler, Ferdinand. The Chosen One. 1893-1894. Kunstmuseum, Bern, Germany.
⦁ Hodler, Ferdinand. Goddesses Announcing the Return of Spring. Swiss Institute for Art Research, Zurich.
⦁ Ingres, Jean-Auguste-Dominique. Study for the Martyrdom of Symphorien. c. 1830. Musee Bonnat, Bayonne, France.
⦁ Beckmann, Max. Drawing (10 of 18). c. 1923. The Museum of Modern Art, New York.
⦁ Corot, Jean-Baptiste-Camille. Wooded Valley. Palais de Beaux Arts, Lille, France.
⦁ Corot, Jean-Baptiste-Camille. Woodland Edge. Musee du Louvre, Paris.
⦁ Corot, Jean-Baptiste-Camille. Willows and White Poplars (Saules et peupliers blancs). 1865-1972. Brooklyn Museum, Brooklyn, NY.
⦁ Corot, Jean-Baptiste-Camille. Forest of Fontainebleau. 1834. Chester Dale Collection, National Gallery of Art, Washington, DC.
⦁ Leonardo da Vinci. Isabella d'Este. 1499-1500. Musee du Louvre, Paris.
⦁ Toorop, Jan. Song of the Times. 1893. Rijksmuseum Kroeller-Mueller, Otterlo, The Netherlands.
⦁ Hunt, William Holman. The Father's Leave-Taking. 1878. Wadsworth Atheneum, Hartford, CT.
⦁ Degas, Edgar. At the Theater, Woman with a Fan. 1880. Private Collection.
⦁ Degas, Edgar. Woman Drying Herself after a Bath. c.1896. Private Collection.
⦁ Khnopff, Fernand. Who Shall Deliver Me? 1898. Private Collection.
⦁ Beardsley, Aubrey. The Peacock Skirt. 1894. Harvard Art Museum/Fogg Museum, Cambridge, MA.
⦁ Goya, Francisco de. Self-Portrait. c.1798-1800. The Metropolitan Museum of Art, New York.

Lecture 11. Printmaking - Relief and Intaglio (10-12-2018)

⦁ Durer, Albrecht. Knight, Death, and the Devil. 1513. The Metropolitan Museum of Art, New York.
⦁ Nolde, Emil. The Prophet. 1912. The Museum of Modern Art, New York.
⦁ Anonymous German artist. The Creed. c. 1450-1470. The Metropolitan Museum of Art, New York.
⦁ Dore, Gustave. Busy Street on London Bridge, from Blanchard, Jerrold, and Gustave Dore. London, A Pilgrimage. 1872. Museum of London.
⦁ Picasso, Pablo. Fauns and Goat. 1959. National Gallery of Victoria, Melbourne.
⦁ Rembrandt van Rijn. The Good Samaritan. 1663. Rijksmuseum, Amsterdam.
⦁ Ensor, James. Napoleon's Farewell. 1897. The Art Institute of Chicago, Chicago, IL.
⦁ Picasso, Pablo. Portrait of Fernande Olivier. 1906. Worcester Art Museum, Massachusetts.
⦁ Corbutt, Charles. The Honorable Sir William Howe. 1777. Print Collection, The New York Public Library, NY.

Lecture 12. Modern Printmaking - Planographic (10-12-2018)

⦁ Chapront, Henry. Charles Baudelaire 1 (25/28). 1922.
⦁ Daumier, Honore. Caricature from Les Gens de Justice. 1846. Musee d'Orsay, Paris.
⦁ Gericault, Theodore. Shoeing a Horse. c.1820-1824. Oklahoma City Museum of Art.
⦁ Riley, Bridget. Coloured Greys lll. 1972. Tate Gallery, London.
⦁ Warhol, Andy. Marilyn. 1967. Kupferstichkabinett, Staatliche Museen, Berlin.
⦁ Degas, Edgar. On the Omnibus. 1877-1878. Musee National, Paris.
⦁ Prendergast, Maurice. The Red Cape. 1891-1894. Terra Foundation for American Art, Chicago, IL.
⦁ Whistler, James McNeill. Nocturne: The Thames at Battersea. 1878. The Metropolitan Museum of Art, New York.

Lecture 13: Sculpture - Salt Cellars to Monuments (14-01-2019)

⦁ Cellini, Benvenuto. Salt Cellar for Francis I. 1540-1543. Kunsthistorisches Museum, Vienna.
⦁ Bernini, Gian Lornezo. Triton Fountain. 1642-1643. Piazza Barberini, Rome.
⦁ Donatello. Equestrian Statue of Gattamelata. 1447-1453. Piazza del Santo, Padua, Italy.
⦁ Bartholdi, Frederic-Auguste. Statute of Liberty. 1884. New York.
⦁ Rodin, Auguste. Burghers of Calais. 1884-1886. Musee Rodin, Paris.
⦁ Degas, Edgar. Little Fourteen-Year-Old Dancer. Executed c.1880, cast 1922.
⦁ Duchamp, Marcel. Bottle Rack. 1914/1964. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Smithson, Robert. Spiral Jetty. 1970. Rozel Point, Great Salt Lake, Utah.The Metropolitan Museum of Art, New York.
⦁ Beuys, Joseph. The Pack (Das Rudel). 1969. Neue Galerie, Museumslandschaft Hessen Kassel, Kassel, Germany.
⦁ Donatello. Saint George (from Orsanmichele). c.1417. Museo Nazionale del Bargello, Florence, Italy.
⦁ Donatello. David. 1425-1430. Museo Nazionale del Bargello, Florence, Italy.
⦁ Hirst, Damien. The Physical Impossibility of Death in the Mind of Someone Living. 1991. The Metropolitan Museum of Art, New York.
⦁ Michelangelo Buonarroti. Rondanini Pieta. 1552-1564. The Museum of the Sforza Castle, Milan, Italy.
⦁ Degas, Edgar. Woman Doing Her Hair. 1896-1911. Musee d'Orsay, Paris.
⦁ Schwitters, Kurt. Merz Picture 32A. Cherry Picture. 1921. The Museum of Modern Art, New York.
⦁ Rauschenberg, Robert. Monogram. 1959. Moderna Museet, Stockholm.
⦁ Klinger, Max. Beethoven. 1902. Museum der Bildenden Kunste, Leipzig, Germany.
⦁ Picasso, Pablo. Glass of Absinthe. 1914. The Museum of Modern Art, New York.

Lecture 14: Development of Painting - Tempera and Oils (14-01-2019)

⦁ Cimabue (Bencivieni di Pepo). Madonna Enthroned (The Madonna and Child in Majesty Surrounded by Angels). c.1280. Musee du Louvre, Paris.
⦁ Giotto di Bondone. Death of Saint Francis. c.1320s. Bardi Chapel, Church of Santa Croce, Florence, Italy.
⦁ Giotto di Bondone. The Adoration of the Magi. 1304-1306. Cappella Scrovegni (Arena Chapel), Padua, Italy.
⦁ Memling, Hans. Portrait of Barbara van Vlaenderbergh Moreel. c. 1480. Musees Royaux des Beau-Arts de Belgique, Brussels.
⦁ Botticelli, Sandro. Portrait of a Man. c. 1480-1485. Musee du Louvre, Paris.
⦁ Leonardo da Vinci. Last Supper. c. 1495-1498. Santa Maria delle Grazie, Refectory, Milan, Italy.
⦁ Rembrandt van Rijn. Self-Portrait. c. 1669. Galleria degli Uffizi, Florence.
⦁ Ruskin, John. Zermatt. 1844. Victoria and Albert Museum, London.
⦁ Hunt, William Holman. Our English Coasts. 1852. Tate Gallery, London.
⦁ Courbet, Gustave. The Source of the Loue. c.1864. Albright-Knox Art Gallery, Buffalo, N.Y.
⦁ Turner, Joseph Mallord William (J.M.W.). The Fighting Temeraire. The National Gallery, London.
⦁ Parrot, S. W. At the Royal Academy: Varnishing Day. 1846. Millenium Gallery, Ruskin Gallery, Mseums Sheffield, UK.
⦁ Renoir, Pierre-Auguste. Diana. 1867. The National Gallery of Art, Washington DC.
⦁ van Gogh, Vincent. Crows over the Wheatfields. 1890. Van Gogh Museum, Amsterdam.

Lecture 15: Modern Painting - Acrylics and Assemblages (14-01-2019)

⦁ Cimabue (Bencivieni di Pepo). Madonna Enthroned (The Madonna and Child in Majesty Surrounded by Angels). c.1280. Musee du Louvre, Paris.
⦁ Van Eyck Brothers. Ghent Altarpiece. c. 1432. Cathedral of St. Bavo, Ghent, Belgium.
⦁ Rembrandt van Rijn. Self-Portrait. c. 1668. Wallraf-Richartz Museum, Cologne, Germany.
⦁ Millais, John Everett. Ophelia. 1852. Tate Gallery, London.
⦁ van Gogh, Vincent. Old Woman from Arles. 1888. Van Gogh Museum, Amsterdam.
⦁ Munch, Edvard. The Scream. 1893. The National Gallery, Oslo.
⦁ Picasso, Pablo. Demoiselles d'Avignon. 1907. The Museum of Modern Art, New York.
⦁ Brooks, Romaine. At the Seashore. 1912. Musee National de la Cooperation Franco-Americaine, Blerancourt, France.
⦁ Marsh, Reginald. Three Girls in Street. 1948. Albright-Knox Art Gallery, Buffalo, N.Y.
⦁ Ensor, James. Fireworks. 1887. Albright-Knox Art Gallery, Buffalo, N.Y.
⦁ Pollock, Jackson. Number 1 (Lavender Mist). 1950. The National Gallery of Art, Washington DC.
⦁ Stella, Frank. Giufa, la Luna, i Ladri e le guardie. 1984. The Museum of Modern Art, New York.
⦁ Rauschenberg, Robert. Bed. 1955. The Museum of Modern Art, New York.
⦁ Picasso, Pablo. Dora Maar in a Wicker Chair. 1938. The Metropolitan Museum of Art, New York.
⦁ Noland, Kenneth. Half. 1959. Museum of Fine Arts, Houston, TX.
⦁ Frankenthaler, Helen. The Bay. 1963. The Detroit Institute of Arts, Detroit, MI.
⦁ Genoves, Juan. Friends. 2006.
⦁ Miro, Joan. Untitled (Sans titre). 1976-1978. Fundacio Pilar I Joan Miro, Mallorca, Spain.
⦁ Chia, Sandro. The Idleness of Sisyphus. 1981. The Museum of Modern Art, New York.
⦁ Judd, Donald. Untitled (Stack). 1967. The Museum of Modern Art, New York.
⦁ Cassatt, Mary. The Boating Party. 1893-1894. National Gallery of Art, Washington DC.
⦁ Jawlensky, Alexey von. Variation No. 10. 1916. Albright-Knox Art Gallery, Buffalo, N.Y.

Lecture 16: Subject Matters (11-02-2019)

⦁ Van Eyck Brothers. Ghent Altarpiece. c. 1432. Cathedral of St. Bavo, Ghent, Belgium.
⦁ Rubens, Peter Paul. Elevation of the Cross. c. 1610-1611. Onze Lieve Vrouwekerk, Antwerp Cathedral, Belgium.
⦁ Rubens, Peter Paul. Arrival of Maria de' Medici at Marseilles. 1622-1625. Musee du Louvre, Paris.
⦁ Rubens, Peter Paul. Coronation of the Queen. 1622-1625. Musee du Louvre, Paris.
⦁ Peeters, Clara. Self-Portrait. First half of 17th century.
⦁ Peeters, Clara. Still-Life with Fish. 1621. Museo National del Prado, Madrid.
⦁ Renard de Saint-Andre, Simon. Vanitas: Still Life with Skull, Sheet Music, Musical Instruments, Shells, and Hourglass. 17th century. Musee des Beaux-Arts, Marseille, France.
⦁ van Ruisdael, Jacob. View of Haarlem. 1670. Kunsthaus, Zurich.
⦁ Rubens, Peter Paul. Self-Portrait with His Wife Isabella Brant in the Honeysuckle Bower. 1609-1610. Alte Pinakothek, Bayerische Staatsgemaeldesammlungen, Munich, Germany
⦁ Rubens, Peter Paul. Rubens and his Second Wife, Helene Fourment, in the Garden. 1631. Alte Pinakothek, Bayerische Staatsgemaeldesammlungen, Munich, Germany
⦁ Vermeer, Johannes. Woman Reading a Letter. c. 1662-1663. Rijksmuseum, Amsterdam.
⦁ Chardin, Jean-Baptiste-Simeon. Soap Bubbles. After 1739. Los Angeles County Museum of Art, Los Angeles, CA.
⦁ Homer, Winslow. Snap the Whip. The Metropolitan Museum of Art, New York.
⦁ Tanner, Henry Ossawa. The Thankful Poor. 1894. Private collection.
⦁ Rogers, John. Football. Collection of the New-York Historical Society.

Lecture 17: Signs - Symbols, Icons, and Indexes in Art (11-02-2019)

⦁ van Gogh, Vincent. Self-Portrait with Bandaged Ear and Pipe. 1889. Stavros S. Niarchos Collection, Athens.
⦁ van Gogh, Vincent. Van Gogh's Chair. 1888. The National Gallery, London.
⦁ van Gogh, Vincent. Gaugin's Chair. 1888. Van Gogh Museum, Amsterdam.
⦁ da Fabriano, Gentile. Adoration of the Magi. 1423. Galleria degli Uffizi, Florence, Italy.
⦁ Van der Goes, Hugo. Portinari Altarpiece. 1476-1479. Galleria degli Uffizi, Florence, Italy.
⦁ Ghirlandaio, Domenico. Adoration of the Shepherds. 1485. Sassetti Chapel, Santa Trinita, Florence, Italy.
⦁ Vigee-Lebrun, Elisabeth. Marie Antoinette and Her Children. c. 1788. Chateaux de Versailles et de Trianon, Versailles.
⦁ Hunt, William Holman. The Awakening Conscience. 1853. Tate Gallery, London.
⦁ Van Eyck, Jan. Giovanni Arnolfini and His Wife. 1434. The National Gallery, London.
⦁ Caravaggio, Michelangelo Merisi da. Conversion of Saint Paul. 1600-1604. Cerasi Chapel, Santa Maria del Popolo, Rome.
⦁ Bosch, Hieronymus. Garden of Earthly Delights. c. 1500-1505. Museo National del Prado, Madrid.
⦁ Picasso, Pablo. Demoiselles d'Avignon. 1907. The Museum of Modern Art, New York.
⦁ Bernini, Gian Lorenzo. Baldacchino. 1624-1633. St. Peter's Basilica, Rome.
⦁ Warhol, Andy. Marilyn. 1967. Kupferstichkabinett, Staatliche Museen, Berlin.
⦁ Friedrich, Caspar David. Abbey in an Oak Forest. 1809-1810. Neue Nationalgalerie, Staatliche Museen zu Berlin.

Lecture 18: How Artists See Others (11-02-2019)

⦁ Raphael (Raffaello Santi). Pope Leo X with Cardinal Giulio de' Medici and Luigi de Rossi. c. 1517. Galleria Palatina, Palazzo Pitti, Florence, Italy.
⦁ Rembrandt van Rijn. Anatomy Lesson of Dr. Tulp. 1632. Mauritshuis Museum, The Hague.
⦁ De Keyser, Thomas. The Four Burgomasters of Amsterdam Learning of the Arrival of Maria de' Medici on September 1 1638. 1638. Mauritshuis Museum, The Hague.
⦁ Rembrandt van Rijn. The Company of Captain Frans Banning Cocq (The Night Watch). c.1642. Rijksmuseum, Amsterdam.
⦁ Piero della Francesca. Duke and Duchess of Urbino. 1465. Galleria degli Uffizi, Florence, Italy.
⦁ van Gogh, Vincent. The Postman. Rijksmuseum Kroeller-Mueller, Otterlo, The Netherlands.
⦁ Rubens, Peter Paul. Arrival of Maria de' Medici at Marseilles. 1622-1625. Musee du Louvre, Paris.
⦁ Schadow, Johann Gottfried. Double Portrait of the Princesses Luise and Friederike of Prussia. 1797. Nationalgalerie, Staatliche Museen zu Berlin.
⦁ Bartolini, Lorenzo. Tomb of Countess Sofia Zamoyski Ctzartoriski of Warsaw. c. 1837. Santa Croce, Florence, Italy.
⦁ Donatello. Equestrian Statue of Gattamelata. 1447-1453. Piazza del Santo, Padua, Italy.
⦁ Borglum, Gutzin, and workers. Mount Rushmore. Keystone, SD.
⦁ David, Jacques-Louis. The Emperor Napoleon in His Study at the Tuileries. 1812. National Gallery of Art, Washington, DC.
⦁ Van Dyck, Anthony. Charles I, King of England. c. 1635. Musee du Louvre, Paris.
⦁ Amerling, Friedrich von. Portrait of Princess Maria Liechtenstein (1808-71) wife of Ferdinand Joseph John Lobkowicz. c.1845. Lobkowicz Collections, Nelahozeves Castle, Czech Republic.
⦁ Manet, Edouard. Eva Gonzales. 1870. The National Gallery, London.
⦁ Warhol, Andy. Let Us Now Praise Famous Men (Rauschenberg). 1963.
⦁ Picasso, Pablo. Gertrude Stein. 1906. The Metropolitan Museum of Art, New York.
⦁ Anguissola, Sofonisba. Portrait of the Artist's Sisters and Brother. c. 1555. Methuen Collection, Corsham Court, Wiltshire, UK.

Lecture 19: Self-Portraits - How Artists See Themselves (11.03.19)

⦁ Ensor, James. Self-Portrait with Masks. 1899. Menard Art Museum, Komaki-City, Aichi, Japan.
⦁ Ghiberti, Lorenzo. East Doors of Florence Cathedral (Gates of Paradise). 1425-1452. Baptistery of San Giovanni, Florence.
⦁ Duccio di Buoninsegna and workshop. The Entry into Jerusalem, from the back of the Maesta Altarpiece. c. 1311. Museo dell'Opera del Duomo, Siena, Italy.
⦁ Raphael (Raffaello Santi). The School of Athens. c. 1510-1511. Stanza della Segnatura, Stanze di Raffaello, Vatican.
⦁ Velazquez, Diego. Las Meninas (Maids of Honor). c. 1656. Museo Nacional del Prado, Madrid.
⦁ Goya, Francisco de. Portrait of the Family of Charles IV. 1800-1801. Museo Nacional del Prado, Madrid.
⦁ Durer, Albrecht. Self-Portrait at 26. 1498. Museo Nacional del Prado, Madrid.
⦁ Close, Chuck. Self-Portrait/Black Ink. 1977. Yale University Art Gallery, New Haven, CT.
⦁ Rembrandt van Rijn. Self-Portrait in a Cap, Openmouthed and Staring. 1630. Rijksmuseum, Amsterdam.
⦁ Messerschmidt, Franz Xavier. Grimacing Head. 1770-1783. Musee du Louvre, Paris.
⦁ Courbet, Gustave. Self-Portrait as a Desperate Man. 1844-1845. Private Collection.
⦁ Rembrandt van Rijn. Self-Portrait as Saint Paul. 1661. Rijksmuseum, Amsterdam.
⦁ Delacroix, Eugene. Michelangelo in His Studio. c. 1850. Musee Fabre, Montpelier, France.
⦁ Delacroix, Eugene. Self-Portrait. c. 1837. Musee du Louvre, Paris.
⦁ Munch, Edvard. The Scream. 1893. The National Gallery, Oslo.
⦁ Bocklin, Arnold. Self-Portrait with Death. 1872. Staatliche Museen, Berlin.
⦁ Anonymous. Death Comes for the Painter. 1843. Lithograph from Der Todten Tanz, Basel. Private Collection.
⦁ Gentileschi, Artemisia. Self-Portrait. c. 1638-39. Galleria Nazionale d'Arte Antica di Palazzo Barberini, Rome.
⦁ Leyster, Judith. Self-Portrait. c.1630. The National Gallery of Art, Washington, DC.
⦁ Bouts, Dirck. Last Supper. Central panel of Altarpiece of the Holy Sacrament. 1464-1468. Sint Pieterskerk, Leuven, Belgium.

Lecture 20: Landscapes - Art of the Great Outdoors (11.03.19)

⦁ Lorrain, Claude. Landscape with a Sacrifice to Apollo. c. 1662. Anglesey Abbey Lode, National Trust, Lode, UK.
⦁ Cole, Thomas. The Voyage of Life: Childhood. 1839-1840. Munson-Williams-Proctor Arts Institute, Utica, NY.
⦁ Cole, Thomas. The Voyage of Life: Youth. 1840. Munson-Williams-Proctor Arts Institute, Utica, NY.
⦁ Cole, Thomas. The Voyage of Life: Manhood. 1840. Munson-Williams-Proctor Arts Institute, Utica, NY.
⦁ Cole, Thomas. The Voyage of Life: Old Age. 1840. Munson-Williams-Proctor Arts Institute, Utica, NY.
⦁ Raphael (Raffaello Santi). Saint George and the Dragon. 1505. Musee du Louvre, Paris.
⦁ David, Jacques-Louis. View of the Jardin du Luxembourg. 1794. Musee du Louvre, Paris.
⦁ Daubigny, Charles-Francois. Forest and Brook. No date. Musee d'Orsay, Paris.
⦁ Friedrich, Caspar David. The Large Enclosure near Dresden. 1832. Galerie Neue Meister, Staatliche Kunstsammlungen, Dresden, Germany.
⦁ van Ruisdael, Jacob. Extensive Landscape with Ruins. c. 1665-1675. The National Gallery, London.
⦁ Monet, Claude. Water Lilies and Willows. c.1914-1923. Musee de l'Orangerie, Paris.
⦁ Hodler, Ferdinand. Der Niesengipfel vom Heustrich aus (Peak of the Niesen Seen from Heustrich). 1909. Aargauer Kunsthaus, Aarau, Switzerland.
⦁ Cole, Thomas. View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm - The Oxbow. 1836. The Metropolitan Museum of Art, New York.
⦁ Lane, Fitz Henry. Brace's Rock, Brace's Cove. 1864. Daniel J. Terra Collection, Terra Foundation for American Art, Chicago.
⦁ Marin, John. Green Sea, Cape Split, Maine. 1941. Wadsworth Atheneum, Hartford, CT.
⦁ Schofield, Walter Elmer. November. Date unknown. Yale Center for British Art, New Haven, CT.
⦁ Thaulow, Frits. A Mill in the Snow in Norway. 1892. Musee d'Orsay, Paris.
⦁ Bellows, George Wesley. The Lone Tenement. 1909. National Gallery of Art, Washington, DC.
⦁ Sutton, Philip. Wiltshire Landscape. 1962. Private collection.
⦁ Holiday, Henry. Hawes Water and Nadale Forest from Measland. 19th century. Victoria and Albert Museum, London.
⦁ Goodwin, Albert. Fireflies, Trinidad. 1907. Victoria and Albert Museum, London.

Lecture 21: Putting It All Together (11.03.19)

⦁ Thorvaldsen, Bertel. The Lion of Lucerne. 1819-1821. Lucerne, Switzerland.
⦁ van Oosterwyck, Maria. Vanitas Still Life. 1668. Kunsthistorisches Museum, Vienna.
⦁ Bonnard, Pierre. Boulevard. c. 1896. Brooklyn Museum, Brooklyn, NY.
⦁ Munch, Edvard. Evening on Karl Johan Street. 1892. Rasmus Meyer Collection, Bergen, Norway.
⦁ Van der Weyden, Rogier. Descent from the Cross. c. 1435. Museo Nacional del Prado, Madrid.

Lecture 22: Early Renaissance - Humanism Emergent (08.04.19)

⦁ da Fabriano, Gentile. Adoration of the Magi. 1423. Galleria degli Uffizi, Florence, Italy.
⦁ Giotto di Bondone. Saint Francis Renouncing His Father's Belongings. c.1320s. Bardi Chapel, Church of Santa Croce, Florence, Italy.
⦁ Giotto di Bondone. Madonna Enthroned. c.1310. Galleria degli Uffizi, Florence, Italy.
⦁ Giotto di Bondone. Presentation in the Temple. 1304-1306. Cappella Scrovegni (Arena Chapel), Padua, Italy.
⦁ Ghiberti, Lorenzo. Sacrifice of Isaac. c.1401. Museo Nazionale del Bargello, Florence, Italy.
⦁ Brunelleschi, Filippo. Sacrifice of Isaac. c.1401. Gilded bronze relief panel for the door of the Baptistery of Florence, Museo Nazionale del Bargello, Florence, Italy.
⦁ Masaccio (Tommaso di Giovanni di Simone Cassai). Trinity. 1425-1428. Santa Maria Novella, Florence, Italy.
⦁ Limbourg Brothers. Page with "February" from Tres Riches Heures. 1412-1416. Musee Conde, Chantilly, France.
⦁ Uccello, Paolo. Battle of San Romano. c.1438-1440. The National Gallery, London.
⦁ Piero della Francesca. Annunciation. 1452-1466. Basilica of San Francesco, Arexxo, Italy.

Lecture 23: Northern Renaissance - Devil in the Details (08.04.19)

⦁ Van Eyck, Jan. Portrait of a Man (Man in a Red Turban). 1433. The National Gallery, London.
⦁ Van Eyck, Jan. Giovanni Arnolfini and His Wife. 1434. The National Gallery, London.
⦁ Campin, Robert (Master of Flemalle). Merode Altarpiece. c.1427-1432. The Cloisters Collection, The Metropolitan Museum of Art, New York.
⦁ Van Eyck Brothers. Ghent Altarpiece. c.1432. Cathedral of St. Bavo, Ghent, Belgium.
⦁ Christus, Petrus. A Goldsmith in His Shop. 1449. The Metropolitan Museum of Art, New York.
⦁ Fra Angelico (Guido di Pietro). Saint Benedict and Peter the Martyr, from Perugia Triptych. c.1437. Galleria Nazionale dell'Umbria, Perugia, Italy.
⦁ Van der Weyden, Rogier. Portrait of a Lady. c. 1460. The National Gallery, London.
⦁ Lochner, Stefan. Madonna in the Rose Garden. 1430-1435. Wallraf-Richartz Museum, Cologne, Germany.
⦁ Teniers, David the Younger. The Picture Gallery of Archduke Leopold Wilhelm of Austria. 1651. Musees Royaux des Beaux-Arts de Belgique, Brussels.
⦁ Watteau, Antoine. Gersaint's Shop Sign. 1721. Charlottenburg Palace, Berlin.
⦁ Heim, Francois-Joseph. Charles X Presenting Awards to Artists at the Salon of 1824. 1827. Musee du Louvre, Paris.
⦁ Robert, Hubert. Projet d'amenagement de la Grande Galerie du Louvre vers 1789. c.1789

Lecture 24: High Renaissance - Humanism Perfected (08.04.19)

⦁ Raphael (Raffaello Santi). The School of Athens. c.1510-1511. Stanza della Segnatura, Stanze di Raffaello, Vatican.
⦁ Raphael (Raffaello Santi). Disputation of the Divine Sacrament. c. 1510-1511. Stanza della Segnatura, Stanze di Raffaello, Vatican.
⦁ Leonardo da Vinci. Virgin of the Rocks. c. 1483-1486. Musee du Louvre, Paris.
⦁ Leonardo da Vinci. Mona Lisa. 1503-1506. Musee du Louvre, Paris.
⦁ Leonardo da Vinci. Seven Grotesque Heads. Galeria dell'Accademia, Venice, Italy.
⦁ Leonardo da Vinci. Head of the Virgin. 1508-1512. The Metropolitan Museum of Art, New York.
⦁ Michelangelo Buonarotti. Pieta. 1498-1499. St. Peter's Basilica, Rome.
⦁ Michelangelo Buonarotti. David. 1501-1504. Galeria dell'Accademia, Venice, Italy.
⦁ Apollo Belvedere. 2nd century A.D. Roman copy of a Greek work from 4th century B.C. Museo Pio Clementino, Vatican Museum, Rome.
⦁ Donatello. David. 1425-1430. Museo Nazionale del Bargello, Florence, Italy
⦁ Michelangelo Buonarotti. Creation of Adam. 1508-1512. Sistine Chapel, Vatican.
⦁ Leonardo da Vinci. Self-Portrait. c. 1630. The National Gallery of Art, Washington, DC.
⦁ Raphael (Raffaello Santi). Drawing for the School of Athens. Pinacoteca Ambrosiana, Milan, Italy.

Lecture 25: Mannerism and Baroque - Distortion and Drama (13.05.19)

⦁ Michelangelo Buonarroti. Creation of Adam. 1508-1512. Sistine Chapel, Vatican.
⦁ Michelangelo Buonarroti. Last Judgement. 1534-1541. Sistine Chapel, Vatican.
⦁ Tibaldi, Pellegrino. The Adoration of the Shepherds. c.1546. Galleria Borghese, Rome.
⦁ Parmigianino (Girolamo Francesco Maria Mazzola). Madonna and Child with Angels (Madonna of the Long Neck). 1534-1540. Galleria degli Uffizi, Florence, Italy.
⦁ El Greco (Domenikos Theotokopoulos). Pentecost. 1596-1600. Museo Nacional del Prado, Madrid.
⦁ Caravaggio, Michelangelo Merisi da). Conversion of Saint Paul. 1600-1601. Cerasi Chapel, Santa Maria del Popolo, Rome.
⦁ Gentileschi, Artemisia. Judith Slaying Holofernes. 1614-1620. Galleria degli Uffizi, Florence, Italy.
⦁ Donatello. David. 1425-1430. Museo Nazionale del Bargello, Florence, Italy.
⦁ Michelangelo Buonarroti. David. 1501-1504. Gallerie dell'Accademia, Venice, Italy.
⦁ Bernini, Gian Lorenzo. David. 1623-1624. Galleria Borghese, Rome.
⦁ Bernini, Gian Lorenzo. Ecstasy of Saint Theresa. c.1650. Cornaro Chapel, Santa Maria della Vittoria, Rome.
⦁ Velazquez, Diego. Queen Maria Anna of Austria. c.1652. Museo Nacional del Prado, Madrid.
⦁ Rembrandt van Rijn. The Slaughtered Ox. 1655. Musee du Louvre, Paris.
⦁ Rubens, Peter Paul. Elevation of the Cross. c.1610-1611. Onze Lieve Vrouwekerk, Antwerp Cathedral, Belgium.
⦁ Pontormo, Jacopo da. Descent from the Cross. c. 1528.. Cappella Capponi, Santa Felicita, Florence, Italy.

Lecture 26: Going Baroque - North versus South (13.05.19)

⦁ Rubens, Peter Paul. Elevation of the Cross. c.1610-1611. Onze Lieve Vrouwekerk, Antwerp Cathedral, Belgium.
⦁ Leyster, Judith. The Last Drop. c.1639. Philadephia Museum of At, PA.
⦁ Ribera, Jusepe de. Immaculate Conception. 1635. Convent of the Discalced Augustines, Salamanca, Spain.
⦁ Caravaggio, Michelangelo Merisi da. Deposition from the Cross. 1600-1604. Pinacoteca, Vatican Museum, Rome.
⦁ Bernini, Gian Lorenzo. Fountain of the Four Rivers. 1648-1651. Piazza Navona, Rome.
⦁ Gaulli, Giovanni Battista. Triumph of the Name of Jesus. c. 1676-1679. Church of Il Gesu, Rome.
⦁ Bernini, Gian Lorenzo. Chair of Saint Peter. 1647-1653. St. Peter's Basilica, Rome.
⦁ Rigaud, Hyacinthe. King Louis XIV. 1701. Musee du Louvre, Paris.
⦁ Regnaudin, Thomas, and Francois Girardon. Apollo Attended by the Nymphs. 1666-1672. Grotto of Thetis, Park of Versailles.
⦁ Apollo Belvedere. Museo Pio Clementino, Vatican Museum, Rome.
⦁ Poussin, Nicolas. Holy Family on the Steps. 1648. National Gallery of Art, Washington DC.
⦁ Raphael (Raffaello Santi). Madonna of the Meadow. 1505. Kunsthistorisches Museum, Vienna.
⦁ Rembrandt van Rijn. Belshazzar's Feast. 1636-1638. The National Gallery, London.
⦁ Vermeer, Johannes. The Geographer. c.1668. Stadelsches Kunstinstitut, Frankfurt, Germany.
⦁ Vermeer, Johannes. View of Delft. c.1660-1661. Royal Cabinet of Paintings, Mauritshuis Museum, The Hague.
⦁ Stella, Frank. La Vecchia dell'Orto, 3X, from the Cones and Pillars series. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.

Lecture 27: 18th-Century Reality and Decorative Rococo (13.05.19)

⦁ Watteau, Antoine. A Halt during the Chase. c.1718-1720. Wallace Collection, London.
⦁ Rubens, Peter Paul. The Lion Hunt. c.1621. Alte Pinakothek, Munich, Germany.
⦁ Bouchardon, Edme. Cupid Cutting a Bow from the Club of Hercules. Musee du Louvre, Paris.
⦁ Hogarth, William. The Marriage Settlement, from the Marriage a la Mode series. c.1743. The National Gallery, London.
⦁ Hogarth, William. The Tete a Tete, from the Marriage a la Mode series. c.1743. The National Gallery, London.
⦁ Hogarth, William. The Inspection, from the Marriage a la Mode series. c.1743. The National Gallery, London.
⦁ Hogarth, William. The Toilette, from the Marriage a la Mode series. c.1743. The National Gallery, London.
⦁ Hogarth, William. The Bagnio, from the Marriage a la Mode series. c.1743. The National Gallery, London.
⦁ Hogarth, William. The Lady's Death, from the Marriage a la Mode series. c.1743. The National Gallery, London.
⦁ Fragonard, Jean-Honore. The Progress of Love: Love Letters. 1771-1772. The Frick Collection, New York.
⦁ Drouais, Francois-Hubert. Portrait of Madame du Barry as Flora. Musee des Beaux Arts, Agen, Lot-et-Garonne, France.
⦁ De la Tour, Maurice-Quentin. Portrait of Madame de Pompadour. c.1755. Musee du Louvre, Paris.
⦁ Fragonard, Jean-Honore. Young Girl Reading. c.1770. National Gallery of Art, Washington DC.
⦁ Boucher, Francois. The Gallant Shepherd. 1738. Hotel de Soubise, Paris.

Lecture 28: Revolutions - Neoclassicism and Romanticism (10.06.2019)

⦁ Apollo Belvedere. 2nd century A.D. Roman copy of a Greek work from 4th century B.C. Museo Pio Clementino, Vatican Museum, Rome.
⦁ Aphrodite of Knido. c. 350 B.C. Antique replica of original. Musee du Louvre, Paris.
⦁ David, Jacques-Louis. Oath of the Horatii. 1784. Musee du Louvre, Paris.
⦁ Delacroix, Eugene. Barque of Dante. 1822. Musee du Louvre, Paris.
⦁ Canova, Antonio. Monument to the Archduchess Marie Christina. 1798-1805. Church of the Augustinians, Vienna.
⦁ David, Jacques-Louis. Death of Marat. 1793. Musee d'Art Ancien, Musees Royaux des Beaux-Arts, Brussels.
⦁ Michelangelo Buonarroti. Pieta. 1498-1499. St. Peter's Basilica, Rome.
⦁ Greenough, Horatio. George Washington. 1832-1840. National Museum of American History, Washington.
⦁ Rubens, Peter Paul. The Tiger Hunt. c.1616. Musee des Beaux-Arts, Rennes, France.
⦁ Delacroix, Eugene. The Massacre at Chios. 1824. Musee du Louvre, Paris.
⦁ Constable, John. View from East Bergholt towards Dedham Vale. c. 1815. Neue Pinakothek, Bayerische Staatsgemaldesammlungen, Munich, Germany.
⦁ van Ruisdael, Jacob. View of Haarlem. 1670. Kunsthaus, Zurich.
⦁ Friedrich, Caspar David. Monk by the Sea. c. 1809. Alte Nationalgalerie, Berlin.
⦁ Constable, John. The Hay Wain. 1821. The National Gallery, London.
⦁ Delacroix, Eugene. Death of Sardanapalus. 1827. Musee du Louvre, Paris.
⦁ Rude, Francois. La Marseillaise, from Arc de Triomphe. 1833-1836. Paris.

Lecture 29: From Realism to Impressionism (10.06.2019)

⦁ Delacroix, Eugene. Death of Sardanapalus. 1827. Musee du Louvre, Paris.
⦁ Millet, Jean-Francois. The Gleaners. 1857. Musee d'Orsay, Paris.
⦁ Daumier, Honore. The Third-Class Carriage. c. 1862-1864. The Metropolitan Museum of Art, New York.
⦁ Nadar, Felix (Gaspard Felix Tournachon)."Interior of Catacombs, Paris." 1861. Bibliotheque Nationale de France, Paris.
⦁ Millais, John Everett. Christ in the House of His Parents. 1849-1850. Tate Gallery, London.
⦁ Courbet, Gustave. A Burial at Ornans. 1849-1850. Musee d'Orsay, Paris.
⦁ El Greco (Domenikos Theotokopoulos). The Burial of Count Orgaz. 1586. Santo Tome, Toledo, Spain.
⦁ Manet, Edouard. Olympia. 1863. Musee d'Orsay, Paris.
⦁ Titian (Tiziano Vecellio). Venus of Urbino. 1538. Galleria degli Uffizi, Florence, Italy.
⦁ Renoir, Pierre-Auguste. Le Moulin de la Gallette. 1876. Musee d'Orsay, Paris.
⦁ Monet, Claude. Impression: Sunrise. 1872. Musee Marmottan Monet, Paris.
⦁ Degas, Edgar. The Laundress (La repasseuse). 1869. Musee d'Orsay, Paris.
⦁ Renoir, Pierre-Auguste. At La Grenouillere. 1869. The State Hermitage Museum, St. Petersburg.
⦁ Monet, Claude. Breakfast in the Garden. c. 1873. Musee d'Orsay, Paris.
⦁ Degas, Edgas. Jockeys before the Race. c. 1878-1879. The Barber Institute of Fine Arts, University of Birmingham, UK.
⦁ Monet, Claude. Rouen Cathedral, Afternoon (The Portal, Full Sunlight). 1892-1894. Private Collection.
⦁ Monet, Claude. Rouen Cathedral, Sunset. 1894. Pushkin Museum of Fine Arts, Moscow.
⦁ Degas, Edgar. Little Fourteen-Year-Old Dancer. Executed c.1880, cast 1922. The Metropolitan Museum of Art, New York.
⦁ Rosso, Medardo. Impression of the Boulevards: Woman with a Veil. 1893. Estorick Collection of Modern Italian Art, London.

Lecture 30: Postimpressionism - Form and Content Re-Viewed (10.06.2019)

⦁ Rodin, Auguste. Balzac (Le Monument a Balzac). 1898. Musee Rodin, Paris.
⦁ Cezanne, Paul. Still Life with Apples and Pears. 1885-1887. The Metropolitan Museum of Art, New York.
⦁ Gaugin, Paul. Where Do We Come From? What Are We? Where Are We Going? 1897-1898. Museum of Fine Arts, Boston.
⦁ Seurat, Georges. Sunday Afternoon on the Grande Jatte. 1884-1886. The Art Institute of Chicago, IL.
⦁ Monet, Claude. Rouen Cathedral, Sunset. 1894. Pushkin Museum of Fine Arts, Moscow.
⦁ Seurat, Georges. The Circus. 1891. Musee d'Orsay, Paris.
⦁ Renoir,Pierre-Auguste. Portrait of Madame Claude Monet. c.1872-1874. Museu Calouste Gulbenkian, The Calouste Gulbenkian Foundation, Lisbon.
⦁ Cezanne, Paul. Mont Sainte-Victoire. 1902-1904. Philadelphia Museum of Art, PA.
⦁ Cezanne, Paul. Still Life with Statuette. 1894-1895. Nationalmuseum, Stockholm.
⦁ Khnopff, Fernand. I Lock My Door upon Myself. 1891. Neue Pinakothek, Bayerische Staatsgemaldesammlungen, Munich.
⦁ Gaugin, Paul. Vision after the Sermon. 1888. National Gallery of Scotland, Edinburgh, UK.
⦁ Munch, Edvard. Anxiety. 1894. Munch Museum, Oslo.

Lecture 31: Expressionism - Empathy and Emotion (09.09.2019)

⦁ Derain, Andre. The Dance. 1906. Fridart Foundation, London.
⦁ Nolde, Emil. Dance around the Golden Calf. 1910. Neue Pinakothek, Bayerische Staatsbemaldesammlungen, Munich, Germany.
⦁ Gaugin, Paul. Women of Tahiti, on the Beach. 1891. Musee d'Orsay, Paris.
⦁ Derain, Andre. Three Figures sitting on the Grass. 1906. Musee d'Art Moderne de la Ville, Paris.
⦁ Matisse, Henri. Woman with a Hat. 1905. San Francisco Museum of Art.
⦁ Matisse, Henri. Harmony in Red. 1908. The State Hermitage Museum, St. Petersburg.
⦁ Modersohn-Becker, Paula. Mother Nursing Her Child. 1907. Neue Nationalgalerie, Staatliche Museen zu Berlin.
⦁ Kirchner, Ernst Ludwig. Street, Dresden. 1907-1908. The Museum of Modern Art, New York.
⦁ Grunewald, Matthias. Isenheim Altarpiece. 1515. Musee d'Unterlinden, Colmar, France.
⦁ Marc, Franz. Horse in Landscape. 1910. Museum Folkwang, Essen, Germany.
⦁ Marc, Franz. Two Hares. 1913. Hamburger Kunsthalle, Hamburg, Germany.
⦁ Marc, Franz. Little Blue Horse. 1912. Saarland Museum, Saarbrucken, Germany.
⦁ Schmidt-Rottluff, Karl. Three Nudes (Dunes at Nidden). 1913. Nationalgalerie, Staatliche Museen zu Berlin.
⦁ Kirchner, Ernst Ludwig. Friedrich Street. 1914. Staatsgalerie, Stuttgart, Germany.
⦁ Nolde, Emil. Doubting Thomas, from The Life of Christ triptych. 1911-1912. Ada and Emil Nolde Stiftung, Seebull, Germany.

Lecture 32: Cubism - An Experiment in Form (09.09.2019)

⦁ Picasso, Pablo. Demoiselles D'Avignon. 1907. The Museum of Modern Art, New York.
⦁ Braque, Georges. Violin and Pitcher. 1910. Kunstmuseum, Basel, Switzerland.
⦁ Picasso, Pablo. House in a Garden (La Rue des Bois). 1908. Pushkin Museum of Fine Arts, Moscow.
⦁ Braque, Georges. The Portuguese. 1911. Kunstmuseum, Basel, Switzerland.
⦁ Picasso, Pablo. Three Musicians. 1921. Mrs Simon Guggenheim Fund, The Museum of Modern Art, New York.
⦁ Picasso, Pablo. Guernica. 1937. Museo National Centro de Arte Reina Sofia, Madrid.
⦁ Picasso, Pablo. Man with a Hat. 1912. The Museum of Modern Art, New York.
⦁ Leger, Fernand. The City. 1919. Philadelphia Museum of Art, PA.
⦁ Boccioni, Umberto. Dynamism of a Cyclist. Peggy Guggenheim Collection, Peggy Guggenheim Foundation, Venice, Italy.
⦁ Picasso, Pablo. Head of a Woman. 1909. The Metropolitan Museum of Art, New York.
⦁ Archipenko, Alexander. Walking. c.1912. Galleria Nazionale d'Arte Moderna, Rome.
⦁ Boccioni, Umberto. Unique Forms of Continuity in Space. 1913. The Metropolitan Museum of Art, New York.
⦁ Brancusi, Constantin. Blond Negress II. 1933 (after a marble of 1928). The Philip L. Goodwin Collection, The Museum of Modern Art, New York.
⦁ Judd, Donald. Untitled (Stack). 1967. The Museum of Modern Art, New York.

Lecture 33: Abstraction/Modernism - New Visual Language (09.09.2019)

⦁ Pollock, Jackson. Number 1 (Lavender Mist). 1950. National Gallery of Art, Washington DC.
⦁ Cezanne, Paul. Bay of l'Estaque. 1879-1883. Philadelphia Museum of Art, PA.
⦁ Braque, Georges. The Portuguese. 1911. Kunstmuseum, Basel, Switzerland.
⦁ Van Doesburg, Theo. Composition (The Cow). c.1917, dated 1916. The Museum of Modern Art, New York.
⦁ Van Doesburg, Theo. Study for Composition (The Cow). c.1917. The Museum of Modern Art, New York.
⦁ Delaunay, Robert. The Eiffel Tower. 1910-1911. Kunstmuseum, Basel, Switzerland.
⦁ Delaunay, Robert. Simultaneous Contrasts: Sun and Moon (Soleil, lune, simultane 2). 1912-1913. The Museum of Modern Art, New York.
⦁ Kandinsky, Vasily. The Garden of Love (Improvisation No. 27). 1912. The Metropolitan Museum of Art, New York.
⦁ Monet, Claude. Haystack (Impressions roses et bleues: meule). 1890-1891. Private collection.
⦁ Kandinsky, Vasily. Improvisation without Title (Improvisation sans titre). 1914. Stadtische Galerie im Lenbachhaus, Munich, Germany.
⦁ Rousseau, Henri. The Wedding (Le Douanier). 1905. Musee de l'Orangerie, Paris.
⦁ Marc, Franz. Grazing Horses IV (The Red Horses). 1911. Harvard Art Museums, Busch-Reisinger Museum, Cambridge, MA.
⦁ Marc, Franz. Tower of the Blue Horses. 1913. Lost since 1945.
⦁ Marc, Franz. Fate of the Animals. 1913. Kunstmuseum, Basel, Switzerland.
⦁ Marc, Franz. Fighting Forms. 1914. Pinakothek der Moderne, Bayerische Staatsbemaldesammlungen, Munich, Germany.
⦁ Brancusi, Constantin. Seal II. 1943. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Rockburne, Dorothea. Scalar. 1971. The Museum of Modern Art, New York.
⦁ Malevich, Kazimir. The Black Square. c.1923. The Russian Museum, St. Petersburg.
⦁ Delacroix, Eugene. Michelangelo in His Studio. c.1850. Musee Fabre, Montpellier, France.
⦁ De Kooning, Willem. Excavation. 1950. The Art Institute of Chicago, Chicago, IL.

Lecture 34: Dada Found Objects/Surreal Doodles and Dreams (14.10.2019)

⦁ Duchamp, Marcel. Bicycle Wheel. 1951 (third version, after lost original of 1913). The Museum of Modern Art, New York.
⦁ Degas, Edgar. Little Fourteen-Year-Old Dancer. Executed c. 1880, cast 1922. The Metropolitan Museum of Art, New York.
⦁ Degas, Edgar. The Tub. 1886. Musee d'Orsay, Paris.
⦁ Picasso, Pablo. Still Life with Chair Caning. 1912. Musee Picasso, Paris.
⦁ Duchamp, Marcel. Bottle Rack. 1914/1964. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Duchamp, Marcel. The Fountain. 1917/1964 (third version, replicated under the direction of the artist in 1964 by the Galarie Schwarz, Milan). Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Duchamp, Marcel. L.H.O.O.Q. 1919. Private collection.
⦁ Hoch, Hannah. Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany. 1919-1920. Neue Nationalgalerie, Staatliche Museen zu Berlin.
⦁ Hausmann, Raoul. Spirit of Our Time (Mechanical Head). 1921. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Johns, Jasper. Painted Bronze II: Ale Cans. 1964. Private collection.
⦁ Dali, Salvador. The Persistence of Memory. 1931. The Museum of Modern Art, New York.
⦁ Magritte, Rene. The Difficult Crossing (La traversee difficile). 1926. Private collection.
⦁ Miro, Joan. The Hunter (Catalan Landscape). 1923-1924. The Museum of Modern Art, New York.
⦁ Calder, Alexander. La Spirale. 1958. Palais de L'Unesco, Paris.
⦁ Giacometti, Alberto. Man Walking (Version I). 1960. Albright-Knox Art Gallery, Buffalo, NY.

Lecture 35: Postmodernism - Focus on the Viewer (14.10.2019)

⦁ De Kooning, Willem. Gotham News. 1955. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Rauschenberg, Robert. Bed. 1955. The Museum of Modern Art, New York.
⦁ Rauschenberg, Robert. Estate. Philadelphia Museum of Art, PA.
⦁ Hamilton, Richard. Just What Is It That Makes Today's Home So Different, So Appealing? 1956. Kunsthalle Tubingen, Tubingen, Germany.
⦁ Hoch, Hannah. Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany. 1919-1920. Neue Nationalgalerie, Staatliche Museen zu Berlin.
⦁ Warhol, Andy. 210 Coca-Cola Bottles. 1962. Daros Collection, Switzerland.
⦁ Wesselmann, Tom. Maquette for Belt Still Life. 1978. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Riley, Bridget. Blaze. 1964. Tate Gallery, London.
⦁ Vasarely, Victor. Vega-Nor. 1969. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Smith, Tony. Die. 1962. The Museum of Modern Art, New York.
⦁ LeWitt, Sol. Wall Structure: Five Modules with One Cube, Black. 1965. Albright-Knox Art Gallery, Buffalo, NY.
⦁ Mori, Moriko. Transcircle. 2004.
⦁ Malevich, Kazimir. The Black Square. c.1923. The Russian Museum, St. Petersburg.
⦁ Salle, David. Gericault's Arm. 1985. The Museum of Modern Art, New York.
⦁ Gericault, Theodore. Body Parts. Study of the arms and legs for the Raft of the Medusa. Musee des Beaux-Arts, Rouen, France.

Lecture 36: Your Next Museum Visit - Do It Yourself! (14.10.2019)

⦁ Segal, George. The Holocaust. 1982. The Jewish Museum, New York.
⦁ Leonardo da Vinci. Last Supper. c.1495-1498. Santa Maria delle Grazie, Refectory, MIlan, Italy.
⦁ Del Castagno, Andrea. Last Supper and the Story of the Passion. Sant'Apollonia, Florence, Italy.
⦁ Boucher, Francois. Cupid a Captive. 1754. The Wallace Collection, London.
⦁ Michelangelo Buonarroti. Madonna and Child (Bruges Madonna). 1503-1505. Notre-Dame, Bruges, Belgium.
⦁ van Honthorst, Gerrit. Supper with Lute Player. c.1617. Galleria degli Uffizi, Florence, Italy.
⦁ Giotto di Bondone. The Lamentation of Christ. c.1305. Galleria degli Uffizi, Florence, Italy.
⦁ Courbet, Gustave. The Stone Breakers. 1849 (destroyed during World War II)
⦁ Pozzo, Andrea. Glorification of Saint Ignatius. 1691-1694. Church of San Ignazio, Rome.
⦁ Monet, Claude. The St. Lazare Station. 1877. Musee d'Orsay, Paris.
⦁ Van der Weyden, Rogier. The Magdalen Reading. Before 1438. The National Gallery, London.
⦁ Canova, Antonio. Paolina Borghese as Venus Victorious. 1805-1808. Galleria Borghese, Rome.
⦁ Braque, Georges. Still Life with Violin and Pipe (formerly Le Quotidien). 1913-1914. Musee National d'Art Moderne, Centre Georges Pompidou, Paris.
⦁ Fragonard, Jean-Honore. The Swing. 1767. The Wallace Collection, London.
⦁ Salle, David. Aerialist. 1988.